Windows In

Holy Erotica

Soaring sandstone buildings set amid beautiful green lawns, giant statues of Hindu gods watching over the holy site, some of the best temple art in the world, and a finely sculpted frieze depicting intimate man-on-horse relations.

Even the horses are getting in on the action.

As a late addition to our India itinerary–squeezed between visits to the urban sprawls of Agra and Varanasi–Courtney and I decided to spend four days in the quiet village of Khajuraho.

The area is famed for its massive Hindu temples, built by the Chandela Dynasty in the 9th century.  Eighty-five of these structures originally covered the grounds, all created in the relatively short span of 100 years.  The monuments remained unknown to the outside world until the British, led by locals, “discovered” them in 1838.  What they found hidden in the jungle shocked them, not because of the grand scale of the 25 remaining temples, but rather because of the detailed erotic sculptures adorning the walls.

Scholars have debated the purpose of these suggestive images, which mingle with simple scenes of daily life and carvings of the gods, but no single conclusion has been reached.  Some theories state the sculptures were:

-A “how to” guide for teenage boys.

-The kamasutra positions carved into stone.

-An appeasement to the “voyeuristic” rain god Indrah, to protect the temples from lightning.

-A depiction of tantric practices–giving in to primal instincts in order to achieve enlightenment.

-A way for the worshipers to indulge their “unclean” thoughts before entering the holy buildings.

Below is a gallery from our walk and bike ride in and around these sensual/spiritual/inspirational temples.

Advertisements
This entry was published on May 25, 2012 at 11:17 am. It’s filed under India, Khajuraho and tagged , , , , , , , . Bookmark the permalink. Follow any comments here with the RSS feed for this post.

5 thoughts on “Holy Erotica

  1. Reblogged this on Diary of a VirginWhore and commented:
    Hinduism makes use of erotic art to depict a spiritual message. Conversely, sexual expression, especially for women, is not tolerated in India. My favourite Hindu goddess Kali (Kali Ma, Kalika, the Creatrix and Destroyer/abyss from which Shiva, Brahma and Vishnu rise) is often depicted in iconography as mating with the corpse of her husband Shiva (or Kala, meaning time: “because Thou devourest Time itself, Thou art Kali”). This is a play on words as ‘shava’ means ‘corpse’ but it shows how Kali is the feminine force, shakti. without which Shiva is inert. All souls are feminine to the divine in Shakti worship. This is a very feminist aspect of the religion. Kali is also very sexual and destructive as well as protective and maternal. For example, she used her vampiric tendencies to defeat Daruka the demon and defeated the demons Canda and Munda, as well as Sumbha and Nisumbha. But her blood-drunk frenzy was calmed by Shiva appearing in the form of a baby whom she suckled. Kali is usually shown as Dakshinakali but her other forms are Badrakali, Kali of the Cremation Ground and MahatmaKali (Great Kali). Kali is also sometimes worshipped by yoni worship. She is worshipped all over India, having absorbed similar goddesses such as Kottavai, though she is principally worshipped in Kerala province. In the 1940’s Kali was symbolised as representing India. She is associated with taboos and worshipped in cremation grounds. She used to be the goddess of low castes and thieves (as exemplified in the Indiana Jones movie, although of course that’s pure Hollywood insensivity and the cult of Kali is very complex, varied and ever-changing, as are most religions.) Kali is called Tara in Bengal. In India, Tara is a more compassionate incarnation of Kali (one of ten) and Kali is sometimes referred to as Tara. Kali is represented as dark, or Black, with dishevelled hair. Dark skin is considered ugly in India (hence overuse of skin lightening creams with tragic consequences – see TV documentary ‘Make Me White’) and dishevelled hair represents wild sexuality. Kali is a virgin which means that like all virgins she has a lot of sexual tension (as opposed to the Christian view of virginal purity, Hindus seem to see abstinence until marriage as stressful or unnatural to some extent, and virgins as curiousrather than pure-minded). This tension is appeased by singing dirty songs to Kali on a certain night to please her (similar to puberty songs that used to be sung to girls during a ritual – these were wiped out due to Western prudery.) Anyway just wanted to share this stuff.

  2. Pingback: India’s Khajuraho: Where the Temple Kink Lives On | Free Bird

  3. Derek Snitker on said:

    that… is crazy. horny fucks.

  4. Haha interesting… I remember seeing something like this in India! I was a lot younger and that made it super awkward for me. It’s interesting to see how our modern idea of sex is not completely irrelevant to history..and our idea may be even more restricting than what used to be thought to enhance pleasure?

    • josephadducci on said:

      Hena- good to hear from you!

      I agree it’s very interesting. Seems like they were way more open (and experimental) about sex than we are today, at least in most parts of the world. Hope you have a good last few weeks in Europe before you head back to Korea!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: